ABSTRACT
The rise in COVID-19 cases has not only generated anxiety and uncertainty but has also caused an upsurge in anti-Asian racism all over the world. The racially motivated attacks have forced us to rethink the concept of migration, integration, and racism in a global context. In this paper, I look back at Meena Alexander’s Manhattan Music and relying on Arjun Appadurai’s critical theory in Fear of Small Numbers: An Essay on the Geography of Anger I investigate the dynamics that go into making the dominant culture hostile towards immigrants and ethnic populations. Drawing a connection between my reading of the novel and the COVID-fueled racism, I debunk the myth of assimilation as a means of integration and attest that race and ethnicity still play crucial role in the politics of power. That is, despite the ethnic protagonists’ negotiation of their subjectivity, their ethnic body will continue to be victims of racial politics and used as scapegoats as long as white supremacy prevails and is considered normative. Revisiting Manhattan Music and rendering the connection between race, ethnicity and racism opens up avenues for critical rethinking and compels us to ever more consider the intersection of ethnic identity and race today in an era of global pandemic that has targeted Asian migrants in and beyond America. [ FROM AUTHOR] Copyright of Journal of Intercultural Studies is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full . (Copyright applies to all s.)